Fan
Date/ Undated
Artist(Credit Line)/ Nam June Paik
Classification/ Object
- Paik-Abe Video Synthesizer
- Homecoming
- 12 Piano Compositions for Nam June Paik by George Maciunas performer’s copy of score with annotations and instructions for performance at Nam June Paik Art Center in 2010 prepared and performed by Ben Patterson
- Message to Nam June Paik
- Chronicle of A Beautiful Dancer
- In Memoriam Geroge Maciunas
- Flux Reliquary
- Deck, A Fluxgame
- Closed on Monday, A Fluxgame
- Bead Puzzle
- Flux Rain Machine
- Events
- Living Fluxsculpture
- Instruction No.2
- Events
- Name kit
- Sinfonie Nr. 6 - in box (Violinparts and score), funkhaus köln, Neuss
- 2 1/2 TV
- Chair Black and White
- Colored Chair
- Hommage a John Cage
- 6 drawings on beertabs
- Fan
- MS-Fluxussus (symphonie Nr. 7)
- Cooking Pot (with Korean Recipe)
- First portable TV
- Untitled
Dimensions / 55.5x102cm
This is a handcrafted folding fan, and the image painted on it where three cranes perch on pine trees with the moon up in the sky as bright as day, was executed in the form of a traditional painting. The back has red straps to tie up the fan when it is folded. Part of the traditional symbols of longevity, the pine tree and the crane are often used as iconography for New Year’s greetings. In a review article Nam June Paik contributed to The Korean Free Press in January 1959, regarding the 1958 Darmstadt International Summer Courses for New Music he participated, Paik explains that the new music by John Cage is something that “only counts the pure time that is not filled with anything” “similarly to the growth of the pine tree.” In 1992, he produced a robot sculpture entitled Crane using antique radios and dial telephones.
This is a handcrafted folding fan, and the image painted on it where three cranes perch on pine trees with the moon up in the sky as bright as day, was executed in the form of a traditional painting. The back has red straps to tie up the fan when it is folded. Part of the traditional symbols of longevity, the pine tree and the crane are often used as iconography for New Year’s greetings. In a review article Nam June Paik contributed to The Korean Free Press in January 1959, regarding the 1958 Darmstadt International Summer Courses for New Music he participated, Paik explains that the new music by John Cage is something that “only counts the pure time that is not filled with anything” “similarly to the growth of the pine tree.” In 1992, he produced a robot sculpture entitled Crane using antique radios and dial telephones.