Curator Talk exhibition related program
Nam June Paik Art Center will be held Curator Talk, as an exhibition related program Wrap around the Time. This will be a great opportunity to understand about the exhibition by participating curators and artists. We expect many visitors’ interest and attendance in this special exhibition.
Zhang Peili | A Standard, Uplifting, and Distinctive Circle along with Its Sound System | 2015
Wang Yuyang | Line | 2013
Isabella Fürnkäs | Vice Versa | 2015
Isabella Fürnkäs | In Ekklesia | 2015
Raphaela Vogel | Mogst mi du ned, mog i di | 2014
Curator Talk Ⅰ
Date
2pm Thur. 3rd. March 2016
Lecturers
Zhang Ga (Director of Chronus Art Center), Zhang Peili, Wang Yuyang
Curator Talk Ⅱ
Date
3pm Thur. 3rd. March 2016
Lecturers
Gregor Jansen (Director of Kunsthalle Düsseldorf), Rapahela Vogel, Isabella Fürnkäs
Participation Guide
Venue
2F Seminar room, Nam June Paik Art Center
Target
The general public, Art lovers (50 person by order of arrival)
Entry Fee
Free (reservation in advance essential)
Inquiry
+82-31-201-8552
Reservation
http://me2.do/xBbFQQGQ
※ Site reservation is available if there are spare seats.
※ Site reservation is available if there are spare seats.
Lecturers
Zhang Ga
Media art curator. He is Distinguished Professor at the School of Experimental Art. He currently also serves on the editorial board, of Leonardo Books, published by the MIT Press and overseas programming at the Chronus Art Center, a Shanghai based, nonprofit art organisation dedicated to media art.
Media art curator. He is Distinguished Professor at the School of Experimental Art. He currently also serves on the editorial board, of Leonardo Books, published by the MIT Press and overseas programming at the Chronus Art Center, a Shanghai based, nonprofit art organisation dedicated to media art.
Zhang Peili
Zhang Peili studied oil painting at the Zhejiang Academy of Fine Arts. He was one of the pioneers of Avant-garde Art Movement in Hangzhou in 1980s and some of his video pieces earned him ‘ father of Chinese video art’. His works mostly contains with the theme in terms of sensorship for social and political concerns on his own.
Zhang Peili studied oil painting at the Zhejiang Academy of Fine Arts. He was one of the pioneers of Avant-garde Art Movement in Hangzhou in 1980s and some of his video pieces earned him ‘ father of Chinese video art’. His works mostly contains with the theme in terms of sensorship for social and political concerns on his own.
Wang Yuyang
Interested in obsolete technology, an aesthetics of the broken, and material waste, his practice involves highly conceptual installation, photography, and video. His recent works have carried on the tradition of the post-sense sensibility generation, employing and pseudo-spectacular tactics to interrogate the relationship between body, experience, and cognition.
Interested in obsolete technology, an aesthetics of the broken, and material waste, his practice involves highly conceptual installation, photography, and video. His recent works have carried on the tradition of the post-sense sensibility generation, employing and pseudo-spectacular tactics to interrogate the relationship between body, experience, and cognition.
Gregor Jansen
He is the director of Kunsthalle Düsseldorf since 2010. From 2005 to the end of 2009, Gregor Jansen headed the ZKM | Museum of Contemporary Art in Karlsruhe. In his current rols as director of the Kunsthalle Düsseldorf, Jansen has curated monographic exhibitions or retrospectives of artists as Tomma Abts, Hans-Peter Feldmann, Chris Martin, Thomas Ruff, Cody Choi, Sonf Dong et.al.
He is the director of Kunsthalle Düsseldorf since 2010. From 2005 to the end of 2009, Gregor Jansen headed the ZKM | Museum of Contemporary Art in Karlsruhe. In his current rols as director of the Kunsthalle Düsseldorf, Jansen has curated monographic exhibitions or retrospectives of artists as Tomma Abts, Hans-Peter Feldmann, Chris Martin, Thomas Ruff, Cody Choi, Sonf Dong et.al.
Raphaela Vogel
She is working and living in Amsterdam born in Germany. In her video installations, Vogel always reveals the editing process different perspectives to expand human perceptions. Despite their very contemporary effect and great openness her videos reveal a personal, almost intimate access to the technologies used and show, merely incidentally, how unstable and fragile the seemingly perfect surfaces and devices really are.
She is working and living in Amsterdam born in Germany. In her video installations, Vogel always reveals the editing process different perspectives to expand human perceptions. Despite their very contemporary effect and great openness her videos reveal a personal, almost intimate access to the technologies used and show, merely incidentally, how unstable and fragile the seemingly perfect surfaces and devices really are.
Isabella Fürnkäs
In her video works she puts all the scenes of the 21st century showing men and machines in an dystopian state of unpolitical unconsiousness. She also puts together superimposed image layers. By redefining this, her visual alienation of the world and a digital embossed dialogue dissociate conventional time and space relations.
In her video works she puts all the scenes of the 21st century showing men and machines in an dystopian state of unpolitical unconsiousness. She also puts together superimposed image layers. By redefining this, her visual alienation of the world and a digital embossed dialogue dissociate conventional time and space relations.
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