Cooking Pot (with Korean Recipe)
Date/ 1984-1985
Artist(Credit Line)/ Nam June Paik
Classification/ Object
- Paik-Abe Video Synthesizer
- Homecoming
- 12 Piano Compositions for Nam June Paik by George Maciunas performer’s copy of score with annotations and instructions for performance at Nam June Paik Art Center in 2010 prepared and performed by Ben Patterson
- Message to Nam June Paik
- Chronicle of A Beautiful Dancer
- In Memoriam Geroge Maciunas
- Flux Reliquary
- Deck, A Fluxgame
- Closed on Monday, A Fluxgame
- Bead Puzzle
- Flux Rain Machine
- Events
- Living Fluxsculpture
- Instruction No.2
- Events
- Name kit
- Sinfonie Nr. 6 - in box (Violinparts and score), funkhaus köln, Neuss
- 2 1/2 TV
- Chair Black and White
- Colored Chair
- Hommage a John Cage
- 6 drawings on beertabs
- Fan
- MS-Fluxussus (symphonie Nr. 7)
- Cooking Pot (with Korean Recipe)
- First portable TV
- Untitled
Dimensions / 15x25cm
Medium / Cooking pot
The surface of a saucepan is caked with white paint and on its bottom is a list of Chinese medicinal herbs and materials that Nam June Paik wrote in Chinese characters from left to right, in vertical writing: garden rhubarb, five-flavor berry, anemarrhena, dwarf lilyturf, rehmannia glutinosa, figwort, aconite, deer antler, and milkwort. These are considered a remedy having an analeptic effect by and large. Paik’s use of everyday objects in a Fluxus way can be found in his earliest works such as Zen for Contact, in which a sieve, one of the kitchen utensils, with different things attached on, was presented for the audience to make sound by fiddling with it.
Medium / Cooking pot
The surface of a saucepan is caked with white paint and on its bottom is a list of Chinese medicinal herbs and materials that Nam June Paik wrote in Chinese characters from left to right, in vertical writing: garden rhubarb, five-flavor berry, anemarrhena, dwarf lilyturf, rehmannia glutinosa, figwort, aconite, deer antler, and milkwort. These are considered a remedy having an analeptic effect by and large. Paik’s use of everyday objects in a Fluxus way can be found in his earliest works such as Zen for Contact, in which a sieve, one of the kitchen utensils, with different things attached on, was presented for the audience to make sound by fiddling with it.